What Was Elizabeth Taylor's First Dramatic Film?

A Place In The Sun was one of the 50's most intriguing
films. The release date was October 11, 1951. I celebrated
my third birthday party on that exact date, but it wasn't
until years later that I actually saw that film. As I was
growing older, I developed a big crush, like most of my
friends, on Elizabeth Taylor.

The movie depicts an up and coming George Eastman [played
by Montgomery Cliff] being thrust into the blue collar
life of a rich uncle's family business, and falling in
love with another women, despite the fact that his own
[secret] girlfriend was now pregnant.

Directed by George Stevens, who did a brilliant job,despite
the constraints that were imposed on him by Paramount. This
film classic was actually a remake of a film that was made
20 years earlier that was a total bomb. The studio had lost
a huge amount of money on the earlier version, so the
monetary restraints were put in place before they even
started shooting.

A very young Elizabeth Taylor, who plays Angela Vickers,is
paired with Montgomery Cliff in this classic story of doomed
love.It was Miss Taylor's best work to date and her first
dramatic role. Her raw natural beauty lights up the screen.
Shelly Winters [who plays Alice Tripp] gives a convincing
performance of the poor homely girl who happens to fall in
love with George Eastman.Upon learning that she is pregnant,
she fanatasies about the life that she and George will share
together but after finding out about George's real love interest,
she threatens him with exposure, unless he agrees to marry her.

His mind is full of crazy thoughts about what he should do.
He leaves a dinner party to meet Alice and ends up in a
boat on moon lake with her. As she starts to describe the
dreary, uninteresting life that both of them will live,
George's mind is filled only with thoughts of the
beautiful Taylor. He changes his mind about his plans of
droning Alice and starts back to shore. But in one ironic
twist of fate,Alice moves to be closer to George and causes
the boat to capsize, falls into the lake and drowns anyway.

He is captured and prosecuted by an ambitious district
attorney [played by Raymond Burr].

This is definitely one of the best classic movies that ever
came out of Hollywood.It won 6 Oscars, another 7 wins and 8
nominations. This is a classic example tragic romanticism.

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About Andrew Conway

Andrew Conway is an avid author,writer and a classic movie buff. If you love watching movies or just listening to great music, then visit: http://www.ultimate-free-downloads.com


And here is another random article you might be interested in...

A Simple Formula for Success

Leaders in the business world need public relations big time, and they show it every day.

How? By staying in touch with their most important external audiences and by carefully monitoring their perceptions about the company, audience member feelings about hot topics at issue, and the behaviors that inevitably follow.

Could there be an angle here for your business?

What I mean is, once you interact with, then learn what that key target audience of yours believes about you and your organization, a corrective public relations goal – a specific behavior change -- can be established.

Which then requires that you identify a strategy. There are just three choices here, create opinion where none exists, change existing opinion, or reinforce it.

It's a logical sequence. With your goal and strategy now set, you need persuasive messages with a good chance of moving perceptions (and thus behaviors) in your organization's direction. But you must make sure the messages talk not only to the current topic at issue, but to any misconceptions or inaccuracies encountered during your information gathering, and to any problems that might be brewing.

What will you do with your new message? You will carry it to the attention of your priority audience. You'll use communications tactics that are credible in the eyes of the receiver, and effective in reaching him or her. You'll also want tactics that stand a good chance of moving opinion in that target audience, on the topic at issue, in your direction.

Fortunately, there are many communications tactics to choose from: newsworthy announcements, letters-to-the-editor, news releases, radio and newspaper interviews, brochures, speeches and on and on.

Now, you're back to the monitoring mode as you interact once again with members of the key target audience. With your communications tactics hammering away, you keep one eye peeled for signs of target audience opinion shifts in your direction. The other eye, (and ears) stay alert for any references by print and broadcast media, or other local thoughtleaders to your carefully prepared message.

The bottom line is, are perceptions and behaviors within the target audience being modified? If not, adjustments to your communications tactics – often a big increase in, and wider selection -- must be made. Your message may also need to be sharpened and its factual basis strengthened.

Gradually, you'll begin to notice changes in opinion starting to appear along with a growing receptiveness to those messages of yours. This is real progress.

Should you still need encouragement to hang in there with your brand new public relations program, consider this. A single issue – for example, a potentially dangerous, unattended perception among a key audience -- can spread like wildfire nudging any business closer to failure than success.

That statistic alone should make you feel pretty good about public relations.

end

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About Robert A. Kelly

Bob Kelly counsels, writes and speaks about the fundamental premise of public relations. He has been DPR, Pepsi-Cola Co.; AGM-PR, Texaco Inc.; VP-PR, Olin Corp.; VP-PR, Newport News Shipbuilding & Drydock Co.; director of communications, U.S. Department of the Interior, and deputy assistant press secretary, The White House. mailto:bobkelly@TNI.net. Visit: http://www.prcommentary.com

Please feel free to publish this article and resource box in your ezine, newsletter, offline publication or website. A copy would be appreciated at bobkelly@TNI.net. Net word count is 565 including guidelines and resource box. Robert A. Kelly © 2003.